Fishing is a specific way of life wherein you are subjected to the indifference and intolerance of nature. The sea never gives back what it takes, one character says, and it’s a fact that the inhabitants of a fishing village have grown accustomed to.
Baconaua is a story about people under the mercy of such fate, focused on the eldest daughter who forcibly turned into the head of the family overnight. Unfortunately, a squall is not the only thing that she must look out for to protect her siblings.
Divina, played by Elora Espano, doesn’t get to do much here, but she does well enough, as well as the rest of the cast.
You can tell that Baconaua has an idea and its consistent enough to establish a dark mood over its story, but whatever theme it’s trying to say is lost in a tedious script.
The movie doesn’t have a well-written lead to steer the narrative. Divina doesn’t know what her siblings are up to and can’t really do anything about it. What they’re involved in is mixed with quasi-supernatural elements, so it’s not clear what this movie is trying to be.
What’s clear is the movie tries hard to be a dark and moody story, but takes it too literally. Several scenes are so dark that you don’t know what’s going on. The colors are de-saturated that the supposed sea of red is actually unidentifiable red clumps on the shore.
As a result, it’s difficult to grasp what this movie is trying to say or make any substantial interpretation out of it. You can see that Divina is up against threats from the outside and within, but the movie can’t tie all these together to deliver a compelling theme.
Baconaua is an uninvolving family drama because of a listless story whose themes get lost in a tedious plot.